Nam June Paik was a Korean-American Modern Video Artist of the early twentieth century. Born on July 20, 1932, in Seoul, to a textile entrepreneur father, Nam June began his musical education as a classical pianist suitable from an early age. He on the other hand had to reduce it quick due to the family's migration to Japan by means of Hong Kong in 1950 through the Korean War (1950-53).
Nam June Paik graduated from the University of Tokyo in 1956, exactly where he wrote his initially thesis on an Austrian-American composer Arnold Schoenberg (1874-1951). Then he moved to Germany exactly where he studied the history of music at the Munich University. Here he also met composers John Cage (1912-92), Wolf Vostell (1932-98), and Karlheinz Stockhausen (1928-2007) who evoked Paik's interest in Electronic Arts. Inspired by John Cage and his strategy of applying day-to-day sounds in music, Nam participated in Fluxus, a Neo-Dadaist art Design. He debuted at the 'Exposition of Music-Electronic Tv,' an exhibition exactly where he made use of distorted photos on Tv sets. Paik was thought of the initially artist to consist of Audiovisual Art, merging video and audio records into a single piece.
Paik moved to New York in 1964 and collaborated with American cellist & overall performance artist Charlotte Moorman (1933-91) to combine his electronic visual presentation with her music & overall performance. In the function 'Television Cello,' they applied stacked Tv sets to form a cello model, which showed an image of her playing cello as she drew the bow across the screen. Paik and Moorman worked with each other on 'Opera Sextronique' (1967) and 'Television Bra for Living Sculpture' (1969). Nam June Paik is regarded the father of the term 'Information Superhighway,' which refers to digital communication systems and the web telecommunications network. In 1974, he even innovated the idea of 'Electronic Superhighway' in his transcript known as 'Media Preparing for the Postindustrial Society.' The exact same year, an American media technologist Judson Rosebush (b. 1947) compiled Paik's early functions in a book titled 'Nam June Paik: Videa 'n' Videology 1959-1973,' published by the Everson Museum of Art, Syracuse, New York.
Nam June Paik's well-known operates consist of 'Something Pacific' (1986) with the faces of sitting Buddha on a closed circuit Television. 'Positive Egg' had a video of white egg displayed on the monitor. He employed the pictures of fish in aquarium on distinct screens for his album 'Video Fish' (1975). His splendid piece 'Electronic Superhighway: Continental U.S., Alaska, Hawaii,' (1995) is an exemplary function on cultural criticism. The piece remains displayed in the Lincoln Gallery of the Smithsonian American Art Museum, Washington DC, in which he conveys his message about America's obsession with Tv and moving frames. Paik also developed robots working with wires & metals and ultimately radio & Tv components.
A display of Paik's perform was held in 1982 at the Whitney Museum of American Art, New York. Here, he demonstrated a linkage among South Korea, New York, and Paris. In his function 'Bye Bye Kipling' (1986), Paik made a tape with assorted reside applications from South Korea, Japan, and USA. In 1988, he designed 'The A lot more the Far better,' a huge tower of 1003 monitors for the Seoul Olympic Games. He served as a professor at Kunstakademie Düsseldorf, Dusseldorf, in the course of 1979-96. Paik suffered a stroke in 1996 that left him partially paralyzed. In 2001, the International Sculpture Centre honored him with a Lifetime Achievement Award. Nam June Paik died on January 29, 2006, in Florida.
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