Art Deco in Havana

The starting of the Art Deco era officially began in 1925 when the Paris Exposition Internationale des Arts Décoratifs et Industrieles Modernes took spot. Even even though Art Deco began emerging as early as 1908, the year 1925 was when the movement's principle types have been defined. The planet embraced this new, uncomplicated fashion which reflected the modern way of life of the Machine Age. It promptly spread from Europe to North America and numerous other components of the planet, such as Cuba. Art Deco became so well-liked that it not only appeared as a new fashion in architecture and visual arts, but it also influenced style, graphic style and preferred culture.

The initial buildings in Art Deco fashion appeared in Havana in 1927. One was a private home in the residential neighbourhood of Miramar and the other a 5 storey apartment building in Centro Havana. In addition to lots of smaller sized private houses, mainly in El Vedado and Centro Havana neighbourhoods, the most notable buildings from the early Art Deco period are Edificio Bacardí (1930), Hotel Nacional (1930) and Edificio López Serrano (1932).

Visual artists, just including architects, have been influenced by their counterparts in Europe and North America. In painting, even though, it is occasionally tough to classify functions of some artists inside the Art Deco fashion. Painters adopted the uncomplicated principles of Art Deco, but at the exact same time, produced art with extremely powerful native and Afro-Cuban influences. The very best representatives of Cuban Art Deco painting are Amelia Paláez, Antonio Gattorno and Victor Manuel García.

With the introduction of numerous magazines, posters and advertisements, graphic design and style flourished, particularly throughout the period in between the two globe wars. José Hernández Cárdenas, Enrique García Cabrera, Jaime Valls and Conrado Massaguer had been the most notable graphic designers of this period. They made magazine cover pages, book covers, magazine advertisements and posters, and some of them, which includes Massaguer, have been simultaneously operating for each Cuban and American publications.

With effortlessly recognizable Art Deco fashion, quite a few exposure and lots of commissions, Cuban sculpture in this period, in particular in the 20's and 30's, reached a Golden Age. Artists made sculptures and fountains for open public spaces, decorative bas-relief panels and other interior and exterior decorative components for public buildings and private residences. Quite a few sculptors had been also involved in designing mausoleums for prominent households at Havana's Cristóbal Colón cemetery. The most renowned sculptors of this era had been Juan José Sicre and his student, Rita Longa. Sicre's perform consists of the monumental seated figure of José Martí, winner of a public contest for the Memorial de la Plaza Cívica (now Plaza de la Revolución). Sculptures by Rita Longa can be identified all about Havana, but the most effective 3, according to art critics and historians, are Fuente de los Mártires, a fountain discovered in Old Havana, Grupo Familiar, a cast bronze deer loved ones, found at the entrance of the Havana Zoo, and a statue of the Virgen del Camino, found in a suburban Havana park. Rita Longa's Ballerina at the entrance of the Tropicana cabaret is, to this day, one of the most recognizable symbols of Havana.

To understand much more around Cuban art through history and the most recent events on the modern day Cuban art scene, or to discover our comprehensive gallery of Cuban modern day art, please stop by http://yemayart.com.